La Primera is the oldest instrument in the ANICETO archive - a Syrian or Lebanese Arabic oud built c.1901, predating the oldest Spanish guitar in the collection by eight years. It is designated an Origin Instrument: it sits outside the flamenco guitar collection framework and is not evaluated against it.
La Primera is named not for the order in which it was acquired, but for its place in the lineage of the instrument itself. The oud came before the guitar and led directly to its development. Carried into Spain through the Moorish presence beginning in 711 CE, the oud became the lute, the lute became the vihuela, and the vihuela became the guitar. La Primera holds the origin of that entire lineage: the ancestral instrument from which every flamenco guitar in this collection ultimately descends. She did not come first to the steward. She came first to the tradition.
La Primera is structurally sound, with conservation ongoing. The instrument is confirmed structurally sound and capable of producing sound.
An interior inscription is partially visible via borescope. Letter forms consistent with a significant Syrian maker family have been observed, but attribution has not been confirmed by a specialist. The date 1901 is consistent with Eastern Arabic numerals documented inside the bowl. Maker attribution is under active specialist review. This page will be updated upon confirmation. No attribution claim is made here beyond what the evidence supports.
The Arabic oud entered Spain with the Moorish presence beginning in 711 CE. Over centuries it evolved - through the laud, the vihuela, the guitar - into the instrument that defines the flamenco tradition documented in the rest of this collection. La Primera holds the origin of that lineage. It is not a flamenco instrument. It is what came before all of them.
| Name | La Primera · The First |
| Type | Arabic Oud · Syrian or Lebanese construction |
| Date | c.1901 · Interior date inscription consistent with Eastern Arabic numeral 1901 |
| Maker | Under specialist review · Attribution not confirmed · Interior inscription partially legible via borescope |
| Bowl | Apricot wood · Multi-stave construction |
| Soundboard | Spruce or cedar · Three soundholes · Hand-carved bone openwork mandala rosette · Two flanking carved rosettes |
| Neck Inlay | Full-length bone arabesque · Ebony or walnut fingerboard |
| Bowl Inlay | Checkerboard stave marquetry · Bone dot inlays |
| Bridge | Glued construction · Maker attribution under active specialist review. Museum archival standard. |