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Almería · Gerundino Workshop

El Almería

el al-meh-REE-ah · The City

Gerundino Fernández · 1980

El Almería · Gerundino Fernández · 1980 · front view

Gerundino Fernández · Almería

Gerundino Fernández (1931–1997) built in Almería, the same city where Antonio de Torres defined the modern guitar's architecture a century before him. Every serious flamenco guitarist of the second half of the 20th century knows Gerundino's name. The instruments he made in the 1975–1985 period are among the most sought-after in the flamenco market. El Almería was built inside that window, at the height of the maker's production.

The neck block carries the maker's stamp. Brazilian rosewood back and sides are confirmed, a restricted tonewood under CITES whose pre-documentation status adds an independent provenance dimension. Gerundino is deceased. No new production is possible.

Almería School Anchor

El Almería is the sole Almería school representative in the collection - a school whose significance to the history of guitar making extends beyond the flamenco tradition to the construction of the modern Spanish guitar itself. The full lineage context is covered in the ANICETO University curriculum.

Instrument Record

Instrument NameEl Almería · The City
MakerGerundino Fernández · Almería
Year1980 · Peak production period 1975–1985
SchoolAlmería · Sole school representative
TypeFlamenca Negra
TopSpruce
Back & SidesBrazilian Rosewood · Dalbergia nigra · Confirmed independent inspection
Neck Block StampConfirmed: gerundino, almeria, espana
Collection RoleAlmería School Anchor
Authenticity & Condition

Label confirmed. The instrument has been professionally inspected and conserved to museum standard. Interventions are documented and kept to the minimum the instrument requires. Its structural and provenance record is maintained privately under museum archival standard.

Tradition & Use

Torres established in Almería what a guitar could be. Gerundino, building in the same city a century later, built what it became for the flamenco tradition specifically. They are not the same lineage, but they are the same place, and place matters in Spanish guitar making more than almost anywhere else in lutherie.

ANICETO University

The story of this guitar is in the curriculum.

Almería, Antonio de Torres, and the significance of the city to the history of guitar construction are taught in the ANICETO University curriculum, Module 2 · The Makers.

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